'SOUND-IN-FORM'

About the Book

“Sound-in-Form” is my main life’s work. It shows a complete new method which I perfected over the last 25 years. It reveals a universal method that allows us to analyse an comprehend the meaning of scripts. It show the method how to interpret the meanings of vowel’s and consonants and how to combine their meanings. Its results will reveal a hidden natural logic that proves how its true meaning are locked inside while they reveal exactly its intended directions of thought. It is written in 2 main parts: “the Development of the Word” which reveals the theory and “the Applied Word” which investigates its results mainly in several different scripts. The underlying method how to interpret universal meanings of vowels and consonants makes words visible with their true meanings. In the second part it proves how various scripts translate these universal meanings into a local interpretation. I have collected all to me existing methods for interpreting meanings of vowels and consonants (except for the method of numerology). The last part of the book also explains the Confucian ideas driven behind the Chinese and Japanese scripts. Some people I am sure will surely recognize in this method which reveals the underlying natural language of how Words are formed in its quickly achieved results something like a proof of the existence of the Word of God. In theosophy they already revealed how the Word is like The Logos, a system of consciousness. Remember how some day some mathematicians had discovered the principles of fractals, which forms can show repeated fractures just like rocks, flowers and trees appearing from very simple fractures. My own method, once worked out properly, even further will make this idea even work for all mentionable objects, could methodically reveal all sorts of forms and formations that were expressed in words as forms that can be created over time and space.

About the Author

BIOGRAPHY. (In my own words) As long as there is no further study group grown out of this, I prefer to remain anonymous, so that just the book can have its own story of adaptation and reactions. I am sure it will meet scepticism as it should, or feeling of wonders, or curiosity. But I am sure it also needs a certain time to adapt. I want to admit that theosophy was an early influence. I have been a member of the Theosophical Society for around 10 years until its branch was halted. As a 6-year-old, I taught some letters on my own by looking at some examples of images that presented these letters in the primary school class room of my father. It made me understand letters differently, compared to other kids. But it was only 12 years later, after reading the theosophical society founder Mme. Blavatsky, who said that vowels and consonants have meanings, that I decided to develop my first sense for synaesthesia to such a degree of perfection that it also could truly reveal its underlying logic, which was called the LOGOS by Blavatsky, a logic that is part of nature and that has its own set of rules just like numbers do. I realized how there truly exist a self-relying logical system behind letters and words that makes us choose the right words that fit perfectly with the actual things we want to express. My first intention was developing a degree in art, but I was much more curious in everything that once I was capable of doing something I mostly preferred to quit already and look for a new challenge. I also stopped making any art object after mastering several disciplines. A brief free student time at the university for mathematics made a profound influence. Another great influence was the Ouspensky/Gurdjief School which again I only briefly joined. This stimulated the importance of the idea of consciousness and awareness. The first study on the Tarot is only related to the idea of developing consciousness. The first two books prepare the reader slowly into a new way of thinking. First as an individual, then as a leader in a group. Then finally as a dependent developing person into bigger concepts and patterns (book 2). The third book is my personal talent, trademark and mark of influence that I would like to give to the world after a long period of preparation, so that it is worth it as something completely new.